She wanted to be herself again, to recover all that she had been obliged to give up in half a century of servitude that had doubtless made her happy but which, once her husband was dead, did not leave her even the vestiges of her identity.

She felt so old, so worn out, so far away from the best moments of her life that she even yearned for those that she remembered as the worst… Her heart of compressed ash, which had resisted the most telling blows of daily reality without strain, fell apart with the first waves of nostalgia. The need to feel sad was becoming a vice as the years eroded her. She became human in her solitude.

Blood circulated through her veins with the fluidity of a song that branched off into the most hidden areas of her body and returned to her heart, purified by love.

She knew that it would not be easy to submit to his miserliness, or the foolishness of his premature appearance of age, or his maniacal sense of order, or his eagerness to as for everything and give nothing at all in return, but despite all this, no man was better company because no other man in the world was so in need of love.

While a person does not give up on sex, sex does not give up on the person.

She always had a headache, or it was too hot, always, or she pretended to be asleep, or she had her period again, her period, always her period. So much so that Dr. Urbino had dared to say in class, only for the relief of unburdening himself without confession, that after ten years of marriage women had their periods as often as threes times a week.

I can't think of any one film that improved on a good novel, but I can think of many good films that came from very bad novels.