The last thing I thought that was utterly brilliant was the season finale of the last season of 'Homeland'. I was just completely and utterly speechless and I think my friend was poking me going: "What did you think?"

I have a million story-lines for 'Revenge' and they never listen to me.

I needed to put something together that would continually get me up at 4:30 in the morning, get me to work and get me excited to throw on those costumes - which clearly continue to excite me, if you are a viewer of the show - and circumstances that continue to surprise me and ask me to go places acting-wise that I haven't explored before.

I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.

It's funny, people talk about the characters they play and who do you sort of see yourself as or which ones maybe were closest to you and in some ways.

My role models were always the Pacinos and the Oldmans, the guys who get dirty with their characters, and I arrived in L.A. during the big boom of 'Dawson's Creek.' I was getting cast as the boy next door, or the friend of the jock. I thought, 'Did I really have to do all that studying?'

There's a really brilliant photographer who's deceased who in my sort of fashion and modelling days, I was fortunate enough to get to work with before he passed away, but Richard Avedon was utterly genius and creatively brilliant.