But what I really long to know you do not tell either: what you feel, although I've given you hints by the score of my regard. You like me. You wouldn't waste time or paper on a being you didn't like. But I think I've loved you since we met at your mother's funeral. I want to be with you forever and beyond, but you write that you are too young to marry or too old or too short or too hungry - until I crumple your letters up in despair, only to smooth them out again for a twelfth reading, hunting for hidden meanings.

I put my fingers around the unmarked ring of the spyglass and twisted. The scene became clear. Oh no! A hairy brown spider clung to a vine! I couldn't go there! I'd go to the desert to find a dragon. I began to reset the spyglass, but then I stopped myself. A spider was worse than a dragon? No. My first monsters would be spiders, then.

But my last conscious thought was an image of Prince Char when he'd caught the bridle of Sir Stephan's horse. His face had been close to mine. Two curls had spilled onto his forehead. A few freckles dusted his nose, and his eyes said he was sorry for me to go.

I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.

I had always been the hardest on myself when I drew and painted. I am not hard on myself when I write. I like what I write, so it is a much happier process.

To me, merely and pretty were words that had nothing to do with each other. Pretty went with miraculously, and merely belonged in another paragraph entirely.

Perhaps we can come here together someday. By the way, you're a month older than the last time I saw you. Are you still too young to marry.