Some people are worried about the future of comics and some people are busy building it. That latter group are my heroes.

Your writing is still yours, no matter what the contract or your editor might say. Trust your gut. It knows when you're screwing up. Your brain will lie to you. It loves the paycheck, it loves positive feedback. Your gut is under no obligation to make you feel good.

Here's the thing, trust changes everything. Once you know what an artist can do, and you know their commitment level, it opens up the playbook hugely. I have worked with artists I really love, but they may have some small aspect that they hate drawing, or that they don't excel at, and that effectively takes that option off the table.

I love mixing humor and terror, or humor and exhaustion, or even humor and despair. I'm dealing right now with a loved one with cancer, and she's of course sad, but also telling the most disturbingly morbid jokes and puns. I love that, there's so much humanity in being able to mock fate and hardship.

I write about heroes all the time, and I'm struck by how much of what fills us with wonder in the man-made world was the brainchild of a monster. I mean, slaves built most of the ancient wonders, our city skylines are dominated by the product of sometimes very ruthless capitalist ideals. There's a horrifying thought that I often wonder, which is, are monsters sometimes necessary?

I get very invested in characters, it's the only way I find that I can write a book and really make it work.

There are writers who will do whatever they are told regardless of the circumstances - these are called 'hacks.' Your job isn't to make life difficult for your editor. But once a piece of crap goes out with your name on it, it is gone forever and will haunt you.