I’ve learned the most from Randy Harrison. Because of his fantastic imaginary world filled with bizarre friends. He is constantly giving us good advice.

I want to keep developing. I want to become relaxed in my own work and go deeper. Just growing and studying and trying new things and hopefully having professional access to work that's good and interesting. I don't want to be on the treadmill of artificiality.

You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.

Criticism is a surreal state, like a good drug gone bad. When it's bad you wish it would stop, and when it's good, you can't get enough.

If someone doesn't want to work with me because I'm playing a gay character, I don't want to work with them. They can fck off.

You have to like your character, because if you don't, no one else will either.

I started studying at 26. Before that, I never thought of acting as something that I would ever try.