You know one scene I always think about is in 'The Godfather', when Marlon Brando's in the hospital. Al Pacino arrives there and enlists the help of the baker to protect his father. The two of them stand outside and the baker fiddles with a cigarette lighter, but Pacino's hands are rock steady. That's when we sort of realize that he can do this.

No one has a name in 'The Road.' Like Cormac McCarthy's novel from which it's adapted, 'The Road' features characters such as the man, the boy, the wife, the old man and the veteran.

In the past, if you did film, you couldn't do stage, and if you did film, you certainly didn't do television. You had to pick what you wanted to be. Now it seems like we can bounce around, not only between genres, but between mediums, and I like that. I like change and I like a good story.

I just like a good story. I want the story to be good and I want the character to be different than the last one I played. That's not always possible, but that's what I want.

It's kind of my whole philosophy as an actor. I think that's what we're supposed to do is play a wide range of characters - or it's just what I like to do, I should say. I like to try to be as different as I can from one thing to the next.

I love a good fight and I think a bad fight can ruin a movie. I really do.

I'm an ensemble guy, I guess - that comes from the theater. If I ever won some kind of award someday, I imagine I'd try to be very gracious, but in the end, I just want to keep working. I don't see why that, if you just put your mind to it and keep sowing the right seeds, you can't keep doing the things you want to do.