You look at what interests a person and then you formulate what their opinions are, in terms of how they see the world, and how they see love and life.

I actually signed on to do 'On the Road' before we started on 'Tron,' but we were in flux for a while, just sort of playing the waiting game, trying to get the right budget and the right cast.

I think the only thing harder for a parent is having to sit down and watch you do a dying scene. I've died in three films, and my mom begs me, "Just tell me you don't die at the end."

There's big studio films I didn't want to do. I didn't want to go through the hoops and ladders. I wouldn't have been able to work with the directors I've worked with if I did those studio films.

I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.

It’s funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film Death Sentence [2007], and I got back with him again in Inside Llewyn Davis.

Life's too short when you find yourself sitting in a car for four hours every day trying to get from East L.A. to West L.A. to Hollywood and then back to East L.A.