The highest Art of the Chess player lies in not allowing your Opponent to show you what he can do.

My life is split in three parts; I don't know the percentage. One could be called "chess" - the Kasparov Chess Foundation, promoting the game, training young players, playing on the internet, sometimes exhibitions. The second area would be "writing" - books, articles, Twitter, Facebook. And then "political activity" - fighting for human rights and democracy, so TV, interviews, speeches.

What I am trying to figure out in my preface is how Romans could operate without the simple items - maps - that are necessary for running such a huge empire.

Kortchnoi's heritage is many-faceted - over the decades he has several times corrected and changed his style. But the main thing has invariably remained his search for chess truth.

For young players, their minds are not overloaded. I am 54 with four kids and I do many other things. Even if I stopped everything else, spent months working just on chess, for a long match against most of the top players, a classical match, six hours, say, I don't stand a chance. I have a better chance in shorter matches. Rapid is 25 minutes, or blitz events where you have five minutes to make a move, or bullet games, where it is one minute. For blitz, five-minutes chess, I would be top ten, top five. But longer games, no chance.

Moscow is simply unwilling to recognize the right of self-determination of nations.

A machine helps us to annihilate our weaknesses. We don't have a steady hand. We can lose all vigilance. We can be distracted by something that is not that relevant. But we have intuition. We can feel certain things. And with a machine you can check whether it's right or wrong. That's why by bringing the two together, you create a very, very powerful combination.