I'm a little older and I'm gonna do a bunch more movies and then they're gonna put me in a home for old directors.

My mother worked all of her life, she was a dance teacher and I also noticed, to be honest, that most of the male directors wanted to blow things up so there was like an open area for somebody who wanted to direct women movies, chick flicks, whatever you... I don't call them chick flicks.

I am a total believer of making the process a good time - make it memorable, have some fun, try to shoot high in your quality and then dont get crazy, see what happens.

One of my thrills of the business is to find young people, there's a window. I like young people who are in that brief window between on their-way-up and rehab. In that window I can make stars. It's not really true but it's not so far off.

I was very proud of that, of taking women and making them vulnerable and so I continued doing that. Right after Beaches I did "Pretty Woman", then I did "Frankie and Johnnie" and then I did "Other Sister" and "Princess Diaries" so that helped me get into the vein there of understanding women and trying to make them very pretty and very interesting.

You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.

I grew up with two sisters, no brothers. There was Ronny who produced "Happy Days" for me and my sister Penny who acts, directs - she does everything. So they were very strong women in my life.