I generally deal with something happening.

[Photography is ] likewise even French impressionists. So the Sculls bought pop. It was politics, and they moved with it. And I think that could be happening, to some degree, with photography, too. It doesn't cost as much to do it, either.

There's an arbitrary idea that the horizontal edge in a frame has to be the point of reference.

There've been times it's been just impossible to find a negative or whatever. But I'm basically just a one man operation, and so things get messed up. I don't have a filing system that's worth very much.

Teaching is only interesting because you struggle with trying to talk about photographs, photographs that work, you see.

I'm trying to learn more and more about what's possible.

Aside from the fact of just taking things out of context, I don't know why. That's part of a mystery. In a way, a transformation is a mystery to me. But there is a transformation, and that's fascinating.