You don't solve anything ever, really. You simply state a problem which, when you're lucky, gives you some idea of what possible problems you can - it indicates, you know, your future headaches.

You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.

I develop my own film. And I work in spurts. I pile it up.

You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.

Let's say that what's out there is a narrative. Often enough, the picture plays with the question of what actually is happening. Almost the way puns function.

I've goofed, and there's been something interesting, but I haven't made use of it. It just doesn't interest me.

My intention is to make interesting photographs. That's it, in the end. I don't make it up. Let's say it's a world I never made. That's what was there to deal with.