Aside from women, I don't know. My work doesn't function the way Robert Frank's did.

I look at a photograph. What's going on? What's happening, photographically? If it's interesting, I try to understand why.

The primary problem is to learn to be your own toughest critic. You have to pay attention to intelligent work, and to work at the same time. You see. I mean, you’ve got to bounce off better work. It’s matter of working.

Museum of Modern Art doesn't have anything to do with what I do. Probably has made some differences in my sales, I wouldn't be surprised. Again, you have to ask other people, because I don't have a measuring device.

Every photograph is a battle of form versus content.

What you photograph is responsible for how a photograph looks - the form, the design, whatever word you want to use.

There is no special way a photograph should look.