Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.

Let's say that what's out there is a narrative. Often enough, the picture plays with the question of what actually is happening. Almost the way puns function.

I get totally out of myself. It's the closest I come to not existing, I think, which is the best - which is to me attractive.

I'm a good craftsman and I can have this particular intention: let's say, I want a photograph that's going to push a certain button in an audience, to make them laugh or love, feel warm or hate or what - I know how to do this.

[Photography is ] likewise even French impressionists. So the Sculls bought pop. It was politics, and they moved with it. And I think that could be happening, to some degree, with photography, too. It doesn't cost as much to do it, either.

All things are photographable.

I have no expectations. None at all.