Sometimes photographers mistake emotion for what makes a great street photograph.

There's no way a photograph has to look... in a sense. There are no formal rules of design that can apply.

Let's put it this way - I photograph what interests me all the time. I live with the pictures to see what that thing looks like photographed. I'm saying the same thing; I'm not changing it.

I enjoy photographing. It's always interesting, so I can't say one thing is more fun than another. Everything has it's own difficulties.

There are photographers whose shows I try to make it my business to see, if I'm in the city. There are photographers I have no interest in at all.

Well, in terms of what a camera does. Again, you go back to that original idea that what you photograph is responsible for how it [the photograph] looks. And it's not plastic, in a way. The problem is unique in photographic terms.

There are people who like photography; there are people who are worrying about what's going to happen with the dollar. They want to get anything that seems hard. I don't know, but I think it's got to do with economics. Now and then you get somebody who buys a picture because he likes it.