Some stories we know well and some we learn as we go. Being able to shape and share these stories into new perspectives and new ideas is incredibly gratifying.

One of the first decisions I made, as the director of "Hide and Seek," was that our film would be silent and use underscoring of original music that I was planning on composing. The decision was mostly predicated on knowing how time consuming the editing of dialogue can be and given the various locations we shot in, I didn't want to worry about having to mix room tones in such a short amount of time.

Our film [Hide and seek ]was created as part of the Asian American Film Lab's 11th 72 Hour Film Shootout filmmaking competition, where filmmaking teams have just 72 hours to conceive, write, shoot, edit and submit a film based on a common theme. The winners were announced during the 38th Asian American International Film Festival in New York last July. The theme for 2015 was 'Two Faces' and was part of a larger more general theme of 'Beauty'.

The documentary we are working on is about my mother, Bev Umehara, for whom our film company, Bev's Girl Films, is named after. It is a passion project that I have wanted to make since her unexpected passing in 1999. The film is about my mother's calling which came late in life, at 47, when she made the sudden transformation from a humble hardworking secretary and mother of four, into a labor activist, a respected union leader, and a role model for rank-and-file workers, women of color, and for all Asian Pacific Americans.

Some stories we know well and some we learn as we go. Being able to shape and share these stories into new perspectives and new ideas is incredibly gratifying.

I began my career in the arts as a model, before adding my hats as an actress, a photographer, a journalist and now, filmmaker. I've seen and experienced it all.

I have a very low boredom threshold.