But think of how much worse it would be to sit here, not knowing. Until the Dead choke the Ratterlin and Hedge walks across the dry bed of the river to batter down the door.

Hear, hear," said the Dog, raising her head. "It's always better to be doing, Prince. Besides, you don't smell like a coward, so you can't be one.

I think there is a kind of laconic Australian leg-pulling sense of humor that is certainly in some of my stories, or is an element in some of my books, and that's probably a direct result of where I've grown up. But other than that I don't draw particularly on the Australian landscape or the Australian biology and so on. So I don't think there's anything you could point to and say is particularly Australian.

I think having an open mind about these things is probably the most important thing, because even though I've never had an experience of the supernatural, something I couldn't explain.

I don't do all the background and the worldbuilding before I start the story. What I do is I work out the bare minimum I need to start the story, and often that really is a bare minimum - it's a character in a situation, and I know nothing about the character, I know nothing about the situation, and then I think about it for a long time, and make notes about where I think the story is going to go and so on, but I don't really make notes to do with the background or the magic system or the world.

If an action must be taken that will benefit the majority at the cost of the minority, is it morally indefensible? If an action taken for the benefit of a majority occurs at the expense of a minority, is it moral action?

People often presume I'm from whatever country they're from. So Americans presume I'm American and the British presume I'm British. And they're surprised to discover I actually am Australian. And actually some Australians are surprised too.