Knowledge, like all things, is best in moderation," intoned the Will. "Knowing everything means you don't need to think, and that is very dangerous.

A year ago, I turned the final page of The Book of the Dead. I don't feel young any more.

I sometimes talk to people who think I got published because I was an editor, or because I was an agent, and I have to disabuse them of that notion. It wasn't because of my emplacement within the industry. Actually the writing came first, and the publishing came first as well.

I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.

I don't do all the background and the worldbuilding before I start the story. What I do is I work out the bare minimum I need to start the story, and often that really is a bare minimum - it's a character in a situation, and I know nothing about the character, I know nothing about the situation, and then I think about it for a long time, and make notes about where I think the story is going to go and so on, but I don't really make notes to do with the background or the magic system or the world.

I have a lot of friends who served in the regular army for a long time. Quite a few of my friends from that time went on to become full-time soldiers. But you live in a world that is entirely army. Your whole world is pretty much that military service, and it's very hard to do other things and to break out of that environment.

So are you saying that somebody went to all the trouble to make you a crypt a thousand years ago on the off chance that you might turn up one day, walk in, and have a convenient heart attack?