There are a few things that I will hopefully be credited for as a pioneer. One is my four-mallet playing. Another one is the starting what was first called jazz rock in 1967 when I started my first band, later became jazz fusion by the 1970s.

Without doubt, the foremost band for decades has been the One O'Clock Lab Band at the University of North Texas. Through its many incarnations and under various leaders, they have demonstrated the highest qualities of musicianship imaginable, plus a willingness to balance their big band tradition with creative exploration. Astounding ensemble work, insightful interpretations of the arrangements, imaginative writing, and above all, a loving attention to musicality . . . these people play beautifully.

It keeps me in touch with younger musicians who are constantly saying, 'Have you heard this new artist, or this new guitar player?' It keeps you reaching.

I know of musicians who have played together for decades who hate each other. The Modern Jazz Quartet for one.

I was surprised when I finally moved to Boston and the East Coast, to discover that there weren't that many vibraphone players around. And I was the only one playing with four mallets.

I grew up in a farm town in Indiana. In the early years I played by myself, because there were no other musicians around.

It hasn't been hard getting nominated, but winning it is another thing. The competition is tough.