Most people learn to improvise on their own, listening to records, endless hours of noodling on their instrument in the bedroom with all their spare time. That's traditionally how people learn.

But if you listen to great piano players, both classical and jazz, theres a huge range of dynamics and colors and emotional expression thats possible with the instrument.

I was surprised when I finally moved to Boston and the East Coast, to discover that there weren't that many vibraphone players around. And I was the only one playing with four mallets.

It hasn't been hard getting nominated, but winning it is another thing. The competition is tough.

I grew up in a farm town in Indiana. In the early years I played by myself, because there were no other musicians around.

I think I always have been someone who likes to push at the edges of things, looking for something different.

Without doubt, the foremost band for decades has been the One O'Clock Lab Band at the University of North Texas. Through its many incarnations and under various leaders, they have demonstrated the highest qualities of musicianship imaginable, plus a willingness to balance their big band tradition with creative exploration. Astounding ensemble work, insightful interpretations of the arrangements, imaginative writing, and above all, a loving attention to musicality . . . these people play beautifully.