I'm obsessed with fuzz pedals.

I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.

The guys in my band buy instruments and sell and trade them. But if I have something I hang onto it. Everything is sentimental to me.

I grew up with synthesizers and weird, spacey music-hip-hop, R&B, modern rock-that I heard on the radio. That's influenced the way I play music. It's natural for me to go with what I feel. If I didn't let that other stuff out and stuck to a certain format, I would feel like I was missing out on something. I'm just enjoying my ride and being who I am.

I like to see how people interact with each other and I draw from that. I'm inspired by that.

For a black male, the sound of the blues is pre-Civil Rights. It's oppression.

You're gonna know my name by the end of the night.