But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work.

There is many different paths of a career. I bounce around and do a lot of different things. It suited me that hopefully I am prepared to do different kinds of styles, genres, or whatever you want to call it.

I messed around in high school, but I pretty much put it away until I did a television show in San Francisco.

I don't think anyone sets out to do something bad, it's just that it's very difficult.

I think there is certainly luck and fate involved in any career of any kind. In show business, maybe it's even more true.

Clint Eastwood is a very soft-spoken, humble guy, actually, which helped put somebody like me at ease, who had never worked with somebody as huge as that. I'm sure that's not always the case with legendary people.

What it targets is not something that's really looked at a lot in terms of the war. This is stuff that's off the beaten path in terms of what we think of every time you start a Civil War history or a Civil War presentation. It's usually about the military and the soldiers and all that stuff. And this is not. It's the backdrop to a place and a time and circumstances that didn't have anything to do with that.