You don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed. So a lot of that doesn't take place on television, at least the television I was doing at the time when I first started.
Gary ColeClint Eastwood is a very soft-spoken, humble guy, actually, which helped put somebody like me at ease, who had never worked with somebody as huge as that. I'm sure that's not always the case with legendary people.
Gary ColeIt was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
Gary ColeA show that's been successful that been on a while, chances are it's going to stay that way. At least it's going to maintain some kind of standard. But when a show begins, there's no telling. Even after 13 shows or a whole year, you don't know what will become of it.
Gary ColeImprov is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something. Like, say, you're walking down a hall and you just don't have enough dialogue, and you throw in something. But you don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed.
Gary Cole