If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.

I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.

If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.

I think my music is a reflection of what I think life is. Which is beautiful and sad, you know. I'm a bit of a sad-sack, in a way. I try not to be a mope. But life is hard, you know, and life is weird. Not to get too depressing. But it's also beautiful and gorgeous, and I'm glad I'm here.

As I say to people, never say never.

I just think I just noticed that when I was working on other people's music I found myself missing a bit of the total control I had doing my own.

I think my strength is in shaping a song - you know, making it feel like it reaches its peaks and valleys, and ends when it should end.