The narrators get into trouble and make fools of themselves with their perversely impulsive fondlings of the language. These people have retreated from the world, in which they keep falling short, and into language, where they fall even shorter. The narrators aggrandize their every plaint and lurid insight into verbal formations that betray their fatuity as speakers and even as hosts of their own bodies and souls.

It was my mother who taught me the one worthwhile thing: when they ask if you like what you see in the mirror, pretend that what they mean is what's behind you--the shower curtain, the tile, the wallpaper, whatever's there.

Kim Chinquee writes with remarkable heart and grace. Her wise capsulizings of love's devastations and of life's roil and disappointments come at you with a sorrowing precision that comforts even as it haunts.

What could be worse than having to be seen resorting to your own life.

The narrators get into trouble and make fools of themselves with their perversely impulsive fondlings of the language. These people have retreated from the world, in which they keep falling short, and into language, where they fall even shorter. The narrators aggrandize their every plaint and lurid insight into verbal formations that betray their fatuity as speakers and even as hosts of their own bodies and souls.

My writing isn’t a career or a craft or a hobby or anything like that. It is more like a tiny annex to my life, a little crawl space in which I occasionally end up by accident in the dark.

The writer, as I see it, has the right of way, so it's up to the reader to look out.