Before my first novel, I was dating a woman who later went to prison for bashing a guy with a hammer.

A writer or any suffering artist-to-be is just an instrument too finely set to the human condition [...]

The only way to write about right now is to write about the future.

I reveled in the smallness, the coziness of an upstairs bedroom in a traditional American Cape Cod house the half-floor that forces you to duck, to feel small and naive again, ready for anything, dying for love, your body a chimney filled with odd, black smoke. These square, squat, awkward rooms are like a fifty-square-foot paean to teenage-hood, to ripeness, to the first and last taste of youth.

I wish I were stronger and more secure in myself so that I could really spend my life with a guy like Lenny. Because he has a different kind of strength than Joshie. He has the strength of his sweet tuna arms. He has the strength of putting his nose in my hair and calling it home. He has the strength to cry when I go down on him. Who IS Lenny? Who DOES that? Who will ever open up to me like that again? No one. Because it's too dangerous. Lenny is a dangerous man. Joshie is more powerful, but Lenny is much more dangerous.

I just want fiction to remain a vital force for entertainment and not just for contemplation. Both things can exist.

I don't have many possessions, apart from my books.