I feel very protected when I see a movie. That's why I like making violent movies or radical movies.

When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."

The French movies that are promoted abroad are the ones that give a trendy, cultural, petit bourgeois, upper class image of France, but it's true that people who are poor in France are the same in New York or in India.

From a simple, mammal perspective, you think you're going to make friends through the movie. You think, "Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends," or something. You don't even think in terms of audience or of money.

The good thing about forbidding the death penalty is that society won't be able to kill people who are not guilty, but at the same time there are some people that are just such a mental mess that, you know, they will never get out of their obsessions and they can keep them forever.

I think it's more normal to make a movie dealing with love, sexual or not, than to make movies about bank robberies, which very rarely happen in real life. So I would say the problem is not what some people feel is normal, I would say the problem is why this whole industry is far more obsessed with filming scenes of dominance, guns, invasion.

In most cases, I don't know how much, I cannot say if it's ninety nine percent or eighty percent, but the problem with incestuous relationships is that they often come from frustration. And from need of power.