In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.

I belong to the petit bourgoiusie somehow, because of my parents.

If you just open your dictionary, "morality" is the sense that separates good from evil. And if you really want to see what evil is, it just says that "evil is the opposite of good." And if you ask "Then what is good?" it says that it's the opposite of evil.

I think British people for example can handle better their own poorness. The image of their poorness. But in France, people don't handle it very well. Either you are normal or ... if you are poor you better not show it.

Scope movies shown on TV letter-boxed are always the big budget movies.

When you start a movie... when it's a short, people don't care... but when it's a feature they want money.

Sometimes I have better relationships with my barber then with people who are into cinema from an upper class.