In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.

Some people take drugs in a quest for spirituality.

Everybody wants to lie to himself, pretending that there's something else besides only the normal life you're living in.

Erotic movies - they don't even make it anymore. Even the erotic magazines don't really look like the ones you could find in the '70s. You have much more extreme iconography of what is sexy. It's very cold. There's nothing that links to real life.

I felt attacked because people rejected me. They didn't say "we can give you money to do something else if you want," they just said "no, this movie cannot be done" and I said "okay, so I'll do it!"

Hallucinations are an inner experience in which most of the time you forget you're there.

When you go to Cannes, people are there to fight, to scream - like football, the World Cup. Once I was working on a movie, and then when I went to Cannes, I went there to whistle at all the other movies in competition. You go to help your friends and fight with your friends' enemies.