I think it's more normal to make a movie dealing with love, sexual or not, than to make movies about bank robberies, which very rarely happen in real life. So I would say the problem is not what some people feel is normal, I would say the problem is why this whole industry is far more obsessed with filming scenes of dominance, guns, invasion.

My weapon is just a movie.

Sometimes when I make a movie, my main goal is to show the movie to one particular director.It's not about competing. It's mostly about someone who did something that blew your mind and you want to see if you can render the joy.

In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.

Movies dealing with social subjects in France become very paternalist. They want to teach lessons. They don't show poorness like a normal situation.

You feel touched by a movie in a good or bad way or you have a strong reaction to something that's totally artificial, to an imitation of life. But that imitation of life that you see on the screen can affect you almost as if it was real.

I prefer periods of peace and love.