I belong to the petit bourgoiusie somehow, because of my parents.

If I had to go through a tunnel ten years without making any movies like Bunuel, I don't mind, as long as I did one good movie.

From a simple, mammal perspective, you think you're going to make friends through the movie. You think, "Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends," or something. You don't even think in terms of audience or of money.

Societies have progressed much more during times of peace than during wars.

The power that a president has in France is like the power of a king. In America, you know that his power is limited. Maybe because there used to be a king for centuries and now they're still behaving like they need a king.

Some girls tell me I'm a sex maniac, or people I don't know think that I'm a fascist, but I don't feel like one. I really think I'm not Communist either, because I don't belong to any political group.

In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.