How is it possible not to feel that there is communication between our solitude as a dreamer and the solitudes of childhood? And it is no accident that, in a tranquil reverie, we often follow the slope which returns us to our childhood solitudes.

To go upstairs in the word house is to withdraw step by step; while to go down to the cellar is to dream.

Cosmic reveries separate us from project reveries. They situate us in a world and not in a society. The cosmic reverie possesses a sort of stability or tranquility. It helps us escape time. It is a state.

Childhood lasts all through life.

For a knowledge of intimacy, localization in the spaces of our intimacy is more urgent than determination of dates.

Instead of looking for the dream in reverie, people should look for reverie in the dream. There are calm beaches in the midst of nightmares.

The philosophy of poetry must acknowledge that the poetic act has no past, at least no recent past, in which its preparation and appearance could be followed.