Music history has flowed under the bridges for many years.
One thing I'm doing on the new Titanic recording is actually bringing in different acoustic spaces.
It makes sense to invest in new work. It's almost like having a research department in a scientific laboratory. You have to try things out. You'll make some bad mistakes. Some things will fail but at least you'll energise the organisation.
What was once underground is now coming to the surface.
Still, American composers working in France have had a pretty hard time.
Over the years I have tried to develop something which is technically assured.