Hany Abu-Assad was sitting next to me, and his film 'Paradise Now' had won the Golden Globe. He said to me at the Globes, 'Paradise now, talk to you later.' [laughs] I gave him a big hug for that.

One reads many scripts, and some of them are good and some of them are not, but every now and then, one really grabs you. You simply can't put it down.

When I see big movies that are only about good versus evil, and the good guy wins, I only can think we're in a far more complicated world than that. I frankly think that this binary philosophy is actually a dangerous way to look at the world.

You have to separate artistic ability from ethnic origin. Not only am I not black, I am also not a woman, therefore how can I direct women? I am also only 42, therefore how can I direct someone who's 60? So you see where the argument ends up? If you take it to its logical conclusion, I would have to walk around and point a video camera at myself. And who the hell is interested in that?

The question becomes, because we're remotely far away from the territory we're about to bomb, does it make it easier to do it? That it is an important question, and the military is asking those questions.

I am a story-teller working with a craft. My job is to use my craft - which is a different thing to my race - and tell a story well.

Hany Abu-Assad was sitting next to me, and his film 'Paradise Now' had won the Golden Globe. He said to me at the Globes, 'Paradise now, talk to you later.' [laughs] I gave him a big hug for that.