By just passing through things, I continue to slightly limit myself. I want the jobs that don't say that much. I'm often the stepping stone or the conduit from one thing to another. I love the idea of existing in a film and growing and having bigger arcs, and being in scenes where you're just being, as opposed to talking. That' one of my ambitions, lying ahead.

Dub and reggae... I play that a lot around the house.

For the sound we produce, everybody is equally important. Each of us has a very different personality and that is what keeps Bush alive.

I was in rock music in London when it was the height of Brit pop, with The Kinks revival and Suede and Blur and Oasis, and all of those really great bands that were of a certain style. If I'd really been smart and commercially minded, I would have just got myself a blazer and some Stay Press and some Fred Perry tops, and just gone out and tried to do it like everyone else. Instead, I did this ridiculous thing of trying to do this music.

It's like a relay race of being ignored. It is really challenging, but whenever I get asked that stuff, I feel really self-conscious about it. I feel really lucky because we have a lot of help. When I first began to be a dad with Gwen [Stefani], I was amazed at what she went through.

I have always been fascinated by dark and mysterious stuff. I guess I have a pretty dark and gloomy side. Writing songs saves me from going completely gonzo.

I'm not a workaholic, but I was a bit manic, I have to confess.