By just passing through things, I continue to slightly limit myself. I want the jobs that don't say that much. I'm often the stepping stone or the conduit from one thing to another. I love the idea of existing in a film and growing and having bigger arcs, and being in scenes where you're just being, as opposed to talking. That' one of my ambitions, lying ahead.

For the sound we produce, everybody is equally important. Each of us has a very different personality and that is what keeps Bush alive.

I'm not a workaholic, but I was a bit manic, I have to confess.

It's a very selfish time. When I'm here at home, my responsibilities are far greater. I'm forced to be way more selfless. My priorities are so far down the list that it's hard to see them. And yet, when I'm on tour, I basically have to get the show right, every night, but the days are really constructed around selfish activities for self-improvement, or not. That's where I feel guilty because I know that life is going on full-speed when I'm not around.

Those times when I play on stage in front of lots of people, it's such an unusual and borderline unhealthy process, even though I love it and I really do it with humility. I don't have serfs getting me grapes after, or things like that.

I have always been fascinated by dark and mysterious stuff. I guess I have a pretty dark and gloomy side. Writing songs saves me from going completely gonzo.

Somehow, something is always suffering. Someone is always losing out somehow. If you pick one kid up, you're not picking the other one up. You just try to minimize those small let-downs because, in a way, life is a series of let-downs from everyone, all the time. We don't mean it, but it happens. So, I just try to minimize that and spread them wide.