When I was lucky enough to be successful, I distanced myself completely from the whole thing of units and selling copies. I just wanted to keep everyone who comes to see me happy. I spend so much time after my shows talking to people who come from all over the world to see me. I'll go out and sign a picture and have a chat.

It's so natural you just fall into it and you find your way. It's terrifying and exciting, and brilliant.

I always work hard to have a very close connection to the fans.

I've always thought that you just make everything as best as you can, and then, one day, people will look objectively at what you do, from a distance, and see its quality. All you try to do is keep the standard up so that, one day, when I sit back and I look at it all, I can feel really good about it.

I quite like Low, the band from Minnesota. They're absolutely mesmerizing. I get much the same feeling from anything that Will Oldham does.

I was in rock music in London when it was the height of Brit pop, with The Kinks revival and Suede and Blur and Oasis, and all of those really great bands that were of a certain style. If I'd really been smart and commercially minded, I would have just got myself a blazer and some Stay Press and some Fred Perry tops, and just gone out and tried to do it like everyone else. Instead, I did this ridiculous thing of trying to do this music.

Who doesn't love Game of Thrones? Sons of Anarchy is funny and thug-ish. I love Shameless. I just sit with my hat tipped, waiting for something to happen, more than going out after the shows.