The artist has the power to signoff the work by deconstructing the work itself: I've finished this work now and I'll sign it and relegate the painting to simply something that services my signature. The painting becomes the colorful backdrop of the signature.
Gavin TurkWhen I was in college I thought of making up a fictive artist and giving him a name and a body of work. Eventually I came around to the idea of using my own name, which had this strange distancing effect, similar to using a found object. Being a Turk was quite interesting because in a sense it was like being a foreigner.
Gavin Turk