I force my eyes upward and look at Mia for the first time. She's still beautiful. Not in an obvious Vanessa LeGrande or Bryn Shraeder kind of way. In a quiet way that's always been devastating to me. Her hair, long and dark, is down now, swimming damply against her bare shoulders, which are still milky white and covered with the constellation of freckles that I used to kiss. The scar on her left shoulder, the one that used to be an angry red weld is silvery pink now. Almost like the latest rage in tattoo accessories. Almost pretty.
Gayle FormanI like French fries," I say. I like French fries? I sound like a slow child in a made-for-TV movie.
Gayle FormanBarrel of the gun, rounds one two three She says I have to pick: choose you, or choose me Metal to the temple, the explosion is deafening Lick the blood that covers me Sheโs the last one standing โRouletteโ Collateral Damage, Track 11
Gayle FormanFor the hundredth time tonight, Iโm back with Lulu, on Jacquesโs barge, the improbably named Viola. Sheโd just toldme the story of double happiness and we were arguing over the meaning. Sheโd thought it meant the luck of the boy getting the job and the girl. But Iโd disagreed. It was the couplet fitting together, the two halves finding each other. It was love. But maybe we were both wrong, and both right. Itโs not either or, not luck or love. Not fate or will. Maybe for double happiness, you need both.
Gayle Forman