I just passed on some a script that I was sent, because I said, "I haven't yet played the person staying home, the one that says, 'Good luck, honey,' or whatever." And so that's what I look for. Therefore, by virtue of that exclusion, I'm always trying to find roles that are challenging.

I drive [Susan Sarandon] nuts. I'm always talking about her being my hero. I'm sure she's probably sick of it.

I realized that in all the sectors of society where there's a huge gender disparity, the one place that can be fixed overnight is onscreen. You think about getting half of Congress, or the presidency ... It's going to take a while no matter how hard we work on it. But half of the board members and half of the CEOs can be women in the next movie somebody makes; it can be absolutely half.

Obviously, movies don't almost ever shoot in sequence.

I think if you're doing a play, you're rehearsing enough that you get to a point where it's freeing again. But in a movie, if you rehearse too much, now you've just shown everybody what you're going to do. And any element of surprise or impulsiveness is taken away.

I met the former president of Iceland [Jóhanna Sigurðardóttir] once. I think she was president for, like, 16 years or something. She said she used to get letters from little boys saying, "Madam President, do you think it will ever be possible for a boy to be president?" Just like we assume that girls can't be politicians, they were assuming boys can't. That's what they thought. It's so crazy.

We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.