I do like the process of producing. Later in my career, like when I had the TV show, I was a producer and I've been on a few things.

The only movies I saw till I was 17 were made by Disney. My parents had this thing. Disney was like, you know, "Ford is a good car. Disney makes good movies that are good for kids and safe."

That's the really frustrating thing, but also the fixable thing. My theory why no one notices is that that's the [women's roles] ratio thing they grew up with. It's just been that way forever, so they don't see it.

My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.

[My aunt] took me to my first play, too, which was dinner theater. I don't know if they have that in England, but you eat a dinner while you watch a play. And she ordered a glass of wine. I was like, "Oh my God. This is, like, the most sophisticated thing I have ever done."

Women are in many ways second-class citizens in the United States in 2016, because of the way that we're portrayed in popular culture.

The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.