I do like the process of producing. Later in my career, like when I had the TV show, I was a producer and I've been on a few things.

I had very, very bad self-esteem - that I was a fake, everybody was going to find out, that I didn't deserve to have success, just about my looks and really, really bad self-esteem.

All of Hollywood is run on one assumption: That women will watch stories about men, but men won't watch stories about women. It is a horrible indictment of our society of we assume that one half of our population is just not interested in the other half.

The only movies I saw till I was 17 were made by Disney. My parents had this thing. Disney was like, you know, "Ford is a good car. Disney makes good movies that are good for kids and safe."

It's a horrible and wonderful battle with yourself, to stay calm, stay in the moment. My coach said, "Stay here, not at the target. Don't be down there." It's why they call it the Zen art.

We are in effect enculturating kids from the very beginning to see women and girls as not taking up half of the space.

After a couple of rehearsals and a couple of takes, Sydney Pollack says, "Come here. Why are you not nervous?" And I [say], "Do you think it would be better if I was nervous?" And he says, "No, it's just I can't understand it - how you would be first time on a set, you're acting, when he flubs his line you make up a new line. It's very interesting." It's not that I think I'm great; that's what I knew I wanted to do.