The whole point of why I'm doing this is to show all kids, boys and girls, that women take up half the space and do half of the interesting things in the world and have half of the dreams and ambitions. Our slogan is, "If they see it, they can be it."

When I got pregnant, I told [Susan Sarandon ]. She said, "All right. I'm gonna tell you the thing to do when you're giving birth: Push like you're trying to win a prize, like you want to be the best patient he's ever had. He's going to give you a prize for winning that." So I did. [The doctor] said, "You are probably the best pusher I've had as a patient."

Instead of trying to manufacture feelings, use the way you already feel. Or at least add that in.

I'm not somebody who takes stuff home with them, that if I shoot a scene and I'm personally impacted for days or something. I mean it certainly is affecting and everything, but it doesn't penetrate to some deeper layer. I'm in it when I'm in it.

Nobody ever said, "Well if you want to be in movies, you should go to L.A." Everybody else was going to New York. So I went to New York with them. And then I was like, "How am I supposed to get a movie?"

Because I had some roles that resonated with women, I immediately noticed that there were far more male characters than female characters in what we're showing little kids in the 21st century, which was stunning to me. But I couldn't find anybody else who noticed.

Ridiculously - fortunately - my first job was with Dustin Hoffman. I had a little part in this movie called Tootsie. And he taught me how to watch dailies. That it was very important.