Behind the cameras, there's a different problem, which I think is not unconscious gender bias. It's probably categorized more as conscious gender bias. Because everybody's known the numbers for decades. Nobody's stunned to hear there are very few female directors, only 4 or 7 percent. Everybody knows, but it doesn't change anything. It doesn't make people say, "Wow! We should change that." Nothing happens. It's utterly stagnant.

That's the really frustrating thing, but also the fixable thing. My theory why no one notices is that that's the [women's roles] ratio thing they grew up with. It's just been that way forever, so they don't see it.

The fictitious worlds created for kids are nearly bereft of female presence. It's sending a very clear message from the beginning that women and girls do not have half of the adventures, that they're not as important. We're teaching kids that girls and women don't take up half the space in the world.

When I was a model, actually, for a little while, my friend that I worked with a lot, she had horrible self-esteem too. We decided that the exact moment when we actually thought we were attractive, we wouldn't be anymore. We would just, like, miss it.

I watched a lot of series. I didn't watch a lot of movies on TV. But I watched Gilligan's Island and Star Trek and all that stuff.

Behind the cameras, there's a different problem, which I think is not unconscious gender bias. It's probably categorized more as conscious gender bias. Because everybody's known the numbers for decades. Nobody's stunned to hear there are very few female directors, only 4 or 7 percent. Everybody knows, but it doesn't change anything. It doesn't make people say, "Wow! We should change that." Nothing happens. It's utterly stagnant.

The second I finish shooting something, I know I could have done it better if we started right then.