I met the former president of Iceland [Jóhanna Sigurðardóttir] once. I think she was president for, like, 16 years or something. She said she used to get letters from little boys saying, "Madam President, do you think it will ever be possible for a boy to be president?" Just like we assume that girls can't be politicians, they were assuming boys can't. That's what they thought. It's so crazy.

I was 16 or something. [My aunt] broadened my understanding of what women could be like and do and that there's a big world out there. So she had a huge impact on me.

I'm not somebody who takes stuff home with them, that if I shoot a scene and I'm personally impacted for days or something. I mean it certainly is affecting and everything, but it doesn't penetrate to some deeper layer. I'm in it when I'm in it.

There were so many women who had worked throughout the war in every possible job. They were told, "Now leave, so the men can come in" and there was this whole feminizing of women: You have to be very, very retiring and submissive and whatever.

The creators of kids' media had no idea they were leaving out that many female characters. They were in utter shock that the worlds they were creating were so bereft of female presences.

I wanted to take up a sport the real way and see if I actually had athletic ability. And then I happened to see it was during the Atlanta Olympics. And there was a lot of coverage of archery because the U.S. men's team won all the medals. And I thought, "Wow, that's beautiful. And it's so dramatic, a beautiful sport. And I wonder if I would be good at it?"

I told my parents when I was three that I wanted to be in movies. I don't know what I saw at three years old that would make me decide that's a job and I want to have that job. But I was very confident, very sure that's what I wanted to do. I didn't do anything about it. I didn't prove it to myself or anything. I just knew.