Archers are pretty focused.

The only time I got the absolute most insanely nervous in my life was at the Olympic trials, because archery is a horrible spectator sport. Nobody goes and watches an archery tournament. Because the targets are three-quarters of a football field away. Who can tell who's winning? You can't even see your own target from where you are.

Because I had some roles that resonated with women, I immediately noticed that there were far more male characters than female characters in what we're showing little kids in the 21st century, which was stunning to me. But I couldn't find anybody else who noticed.

After a couple of rehearsals and a couple of takes, Sydney Pollack says, "Come here. Why are you not nervous?" And I [say], "Do you think it would be better if I was nervous?" And he says, "No, it's just I can't understand it - how you would be first time on a set, you're acting, when he flubs his line you make up a new line. It's very interesting." It's not that I think I'm great; that's what I knew I wanted to do.

The thing I noticed, have learned the most about directors, is: when they're very confident in themselves, they're open to creativity from other people. If they're scared or nervous, then they shut off and nobody's ideas [count].

Women can feel inspired by the story. People who haven't been traditionally given a chance to use their skills or shine are given a chance, and they prevail.

Having a very complicated life, or a lot of problems, or a lot of flaws, is always great to play.