I meet Susan [Saradon], and she was amazing. We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.

The ratio of male to female characters in movies has been exactly the same since 1946. So if you've ever had people say, you know, "It's better now, it's all changed, it's all different," it's not, it hasn't. Not yet.

I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.

Are you stupid or did you just take lessons?

This dapper little mouse that wore such cute clothes and said such interesting things, yeah. I thought it was a great idea to have a mouse like that in your family, so now I get to see what it was like.

For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].

I just passed on some a script that I was sent, because I said, "I haven't yet played the person staying home, the one that says, 'Good luck, honey,' or whatever." And so that's what I look for. Therefore, by virtue of that exclusion, I'm always trying to find roles that are challenging.