The first year with ABT I learned 13 new roles. Most were lengthy ballets, more complicated than I was used to. I have suffered from tendinitis since I was 13, and it flared up again until the pain was paralyzing. There were times I prayed I'd be sick so I wouldn't have to go on.

The first year with ABT I learned 13 new roles. Most were lengthy ballets, more complicated than I was used to. I have suffered from tendinitis since I was 13, and it flared up again until the pain was paralyzing. There were times I prayed I'd be sick so I wouldn't have to go on.

Classical virtuosity is more than technique, line, proportion, and balance. It is as if the performer and spectator come together to hold in their hands a bird with a broken wing. The creature can be felt to stir, to struggle for freedom. Its life responds to human warmth; its wing might brush your check as it flies away.

When you are on stage you are having an affair with three thousand people.

In saying my prayers, I discovered the voice of an innermost self, the raw nerve of my identity.

The dance goes on forever. So shall I. So shall we.

As unnatural as dancing is, you have to find a natural way to do the unnatural.