I just loved Bette Davis and the fact that I had a chance to work with her [on the 1979 TV movie Strangers: The Story of a Mother and Daughter] was momentous.

John Cassavetes was a year ahead of me but we met there. What you do when you are at a school for drama, you do a play as opposed to a final. Anyone who wanted to come could just come. So he came, and I can't remember the name of the play, of course, it was a long time ago.

So I went home and I told my mom that I wanted to quit and be an actress and she said, “Huh, that sounds fascinating. It’s wonderful!” And I told my father and he literally said, “I don’t care if you want to be an elephant trainer if it makes you happy.”

I think I have the only parents in the world who would not have said something against become an actress.

I love independent filmmaking. I don't agree with a lot of it, but that's the point.

all creative writers need a certain amount of time when they're creating something where nobody should criticize them at all - at all. Even if the criticism is valid or good, they should just shut up, and let that person create. Because at a certain point you have to make it your own - not the world's, but your own.

I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.