My mother had gotten a job as a receptionist at a dancing school and had the idea that we should open our own dancing school; we did, and it prospered.

When I would create a dance, I wouldn't have the luxury that ballet people do when they take a piece of music and impose a dance upon it. What we did in motion pictures was have a song and within that song try to elaborate. My usual method was to do what a writer does: get a plot.

For a ridiculous analogy, let's take Purple Rain. If you were to put Purple Rain and The Sound of Music on the desk of a producer, he or she would know that the majority of moviegoers would rather listen to Prince. Since they are in the business of making money, no one can blame them. But if it ever came to the decision of making a film like that I'd say, "No." They are very easy films to make, though. In Purple Rain there is nothing complex about the way that they dance. Or sing. It would be a bit boring for an adult to make that film. It just wouldn't test their métier.

Come on with the rain / I’ve a smile on my face.

I miss the romance. I keep saying this over and over again, but dance follows music. And if the accent today is percussion and rhythm and loudness, then that is the way the dance numbers will be. But it is pretty hard on romance with seven guitars, three drums, and no melody instruments in the band.

She's one of those third year girls who gripe my liver... You know, American college kids. They come over here to take their third year and lap up a little culture... They're officious and dull. They're always making profound observations they've overheard.

There's nothing revolutionary about Saturday Night Fever . You can see the same kind of movement at your local disco.