I met Richard Pryor for the first time in Calgary, in Canada. A very quiet, modest meeting.

But the acting process - create a human being - was real, not only to the audience, but real to me.

I put out my hand to shake hands with Zero Mostel, and he took my hand [and] he pulled me up to his face, and he gave me a kiss on the lips. And all my nervousness went out the window.

My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.

So shines a good deed... in a weary world.

The big catalyst was seeing my sister, when I was 11, doing a dramatic recital. When I saw her on the stage and everyone listening to her so patiently, quietly, that's all I wanted: for someone to look at me and listen to me, but in some beautiful and artistic way.

[Gilda Radner] died in '89, and I got non-Hodgkin's lymphoma in 2000. I've just passed the five-year mark and I'm now what you call - well, it's called complete remission, but I'm cured. I'm fine.