I met Mel [Brooks] backstage in Anne's [Bancroft] dressing room. He was wearing one of those pea coats, pea jackets that were made famous by the Merchant Marines, and I admired it and he said, "You know, they used to call this a urine jacket, but it didn't sell."

I was so afraid to feel free to enjoy my own life if my mother was sick and suffering everyday of her's. I didn't think I had the right.

Dont put the sheep on the table.

I came home [after funerals] and I thought if I go back to California, where I had a small house, I don't think I'll ever come east again. So I decided to stay and go through the halls and stairways, talk to Gilda Radner, holler, express some of my anger and make sure there were no ghosts in the hallways that I should ever be afraid of.And then I found out - it sounds strange, but I found out she had left me the house. We never talked about her dying and what she was going to leave me or I would ever leave her. We just didn't talk about those things.

On stage or in the movies I could do whatever I wanted to. I was free.

Because we had to convince the scientific members of Transylvania that with the procedure I was using on the creature, Dr. Frankenstein could be taught to be a civilized human being, what I called a man about town. Instead of a monster who's going to kill their children, it was someone who could sing and dance.

I don't mean to sound - I don't want it to come out funny, but I don't like show business. I love - I love acting in films. I love it.