Little surprises around every corner, but nothing dangerous.

[Gilda Radner] was in the in vitro fertilization program, and it nearly, nearly drove us apart, too. She wanted that baby, so badly, and it didn't work. Oddly enough, when we were doing "Haunted Honeymoon" in London, she did become pregnant for about 10 days, but then she lost it. But, anyway, my odyssey with Gilda was wonderful, funny, torturous, painful and sad. It was - it went the full gamut.

I'm not very funny in real life. I used to want to be a comedian when I was 13, 14, 15, till I saw "Death Of A Salesman" with Lee J. Cobb and Mildred Dunnock.

I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.

On screen, Gene Wilder could often be summed up as an accident waiting to happen, that frizzy, flyaway hair, the eyes darting this way and that and then something would set him off, Zero Mostel, say, in the movie that made Wilder a star, "The Producers."

With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.

I found a very diabolical way of making myself suffer - not in the same way [my mother ] was suffering but to prevent me from enjoying my own life.