[Gilda Radner] was in the in vitro fertilization program, and it nearly, nearly drove us apart, too. She wanted that baby, so badly, and it didn't work. Oddly enough, when we were doing "Haunted Honeymoon" in London, she did become pregnant for about 10 days, but then she lost it. But, anyway, my odyssey with Gilda was wonderful, funny, torturous, painful and sad. It was - it went the full gamut.

To match the shoes with the jacket is fey. To match the shoes with the hat is taste.

At the time, I didn't know why, but I know now that when I was a little boy, I was scared to death of the Frankenstein films ... and in all these years later, I wanted it to come out with a happy ending, and I think it was my fear of the Frankenstein movies when I was 8 and 9 and 10 years old that made me want to write that story [Young Frankenstein].

I put out my hand to shake hands with Zero Mostel, and he took my hand [and] he pulled me up to his face, and he gave me a kiss on the lips. And all my nervousness went out the window.

I found a very diabolical way of making myself suffer - not in the same way [my mother ] was suffering but to prevent me from enjoying my own life.

I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.

My humor is - was quite different. Mine was "Sherlock Holmes' Smarter Brother" and "The World's Greatest Lover" and "Haunted Honeymoon," "The Woman In Red," things - "See No Evil, Hear No Evil." But his was much broader, and I think much funnier, too.